This season, Oerlikon Riri blends performance with sophistication and heritage with innovation, crafting a collection that embodies both contemporary dynamism and timeless refinement. With an increasing transition to stainless steel components and chains, the collection reflects Oerlikon Riri’s commitment to sustainability. The metal parts contain at least 50% recycled stainless steel, reinforcing the brand’s dedication to eco-conscious innovation. The integration of Physical Vapour Deposition (PVD) technology ensures superior durability, reduces environmental impacts, and delivers a high-quality finish. By embracing recycled materials, innovative surface treatments, and high-precision manufacturing techniques, the brand continues to set new standards for excellence in the fashion industry.
The Athletic Elegance theme features high-tech finishes, cutting-edge materials, and a vibrant color palette of aquamarine and red, evoking the dynamism of movement and speed. Stainless steel pullers and precision-engineered buttons with PVD coatings further enhance the collection’s refined technical aesthetic.
The Neoclassical Luxury theme draws inspiration from classical Greek culture, art, and philosophy, through a modern, minimalist lens. This mood presents a sacred palette of neutral tones – cream, beige, and soft brown – complemented by opulent gold and palladium finishes. The collection introduces exquisitely crafted accessories, including zippers with Greek columninspired pullers, diamond-embellished details, and high-quality natural stones. A prominent feature is the MIM (Metal Injection Molding) technology, which allows for the creation of intricately shaped components with exceptional durability and mechanical properties.
Through this partnership, the two organisations will drive forward a data-based approach that enables full traceability of leather products back to the individual animal farm, setting a new global standard for responsible sourcing. Leveraging SPOOR’s cutting-edge tracking technology, this initiative ensures that every leather hide can be traced from birth through the tanning process to the final product. This traceability data is subsequently digitized within the OEKO-TEX® Label Check, allowing consumers to effortlessly access and visualize the locations and stages immediately. By additionally certifying each involved production facility for environmentally conscious practices, responsible chemical management and the upholding of social responsibility standards, OEKO-TEX® further advances its MADE IN GREEN label as a benchmark for sustainable and transparent leather. This collaboration is a major step toward a more responsible and environmentally conscious leather industry, offering brands the ability to provide consumers with verifiable insights into their leather products’ origins and production processes.
Conceria Gi.Elle.Emme paid homage to the figure of Pinocchio, the world-famous symbol of Tuscan character, with a stand at Lineapelle Milano dedicated to the famous wooden puppet born from the pen of Carlo Collodi. Here the puppet’s lies are transposed to the world of leather, to take the opportunity to dispel the many false myths circulating about this noble material. Gi.Elle.Emme does this through talking leather, i.e. panels set up inside the stand that are activated by the simple touch of the hand and that provide advice and explanations on the origin of leather, its use and processing. An amusing and involving set-up that wants to launch and reiterate a message of transparency and authenticity of Tuscan leather worked according to the traditional method of slow tanning in tubs.
Gi.Elle.Emme has been investing for a long time to ensure maximum transparency and traceability of its production system. In addition to the ICEC_TS_SC410 traceability certification, the company has recently chosen to calculate the Life Cycle Assessment (LCA) of four of its articles, in order to numerically analyse the environmental impact of its products throughout their entire life cycle.
Another correlation between the story of Pinocchio and the work of Gi.Elle.Emme is certainly craftsmanship. Like Geppetto, the Tannery recovers a material that would otherwise be destined to decompose, which is waste from the food industry, and ennobles it by giving it a new life in a certain sense.
The heart of ACM’s new proposal is Vision PE26, an expression of research and innovation in which emerging trends merge with artisan know-how to create unique accessories and buttons. Through exclusive finishes and processing, each creation is designed to enhance the stylistic identity of haute couture maisons, guaranteeing details of excellence and Made in Italy quality.
A major novelty is the consolidation of the Aurea line, now in its second season and increasingly focused on the world of high-end leather goods: a selection of sophisticated accessories in which metal, resin and leather details come together to create components with a refined design and high luxury finishes. The line includes precious bases and leather charms made through meticulous handcrafting, emphasising the perfect synthesis of craftsmanship and technological innovation.
TFL has released its new fashion Catalogue for the season Autumn Winter 2026/27 where they present the colour trends for leather garment, footwear, accessories and additionally for the upholstery industry.
The colour trends are divided into “Wearing” and “Living”, devoting a section to each within the publication. Wearing comprises inspirations and colour trends for garments, footwear and accessories.
The Living section features all colours that will decorate the season’s interior designs.
“In Wearing – reads TFL’s presentation note – we will discover how, after years of standardisation of leather, we have returned to discover its unique qualities. This is why we focused on both the aesthetic and utilitarian functions of leather, identifying four primary functions: protective, informative, sensory and technological. We have thus created natural and printed grains, burnished effects and extra-glossy surfaces, not forgetting shiny and silky suedes”.
As regards the Living section, “we will show how in an age of hyper-choice, where for each product there are several competing materials, it is important to support the tanners’ effort at bringing out the beauty and authenticity of the leather. We will demonstrate the importance of opening-up the structure of the skin starting from the beamhouse, making light leathers with a round hand, accentuating the three-dimensionality and vibrancy of the colours on soft, bright nappa”.
The TFL Colour Trends Catalogue is now available HERE
An excellent turnout. A very high level of creativity and innovation of product, style and process: these are the results of the 105th edition of Lineapelle, the reference exhibition for the global luxury, fashion and design supply chain, which saw 24,977 professional operators – including 18,833 buyers, up 7% on the September 2024 edition – and over 1,100 exhibitors. Tanneries, manufacturers of accessories, components, fabrics and synthetics showcased a profound design vision, proposing novelties and innovations of the highest level that aroused concrete interest in visitors, highlighting a definite return to the truest and most natural aspects of leather and materials.
Similarly, the event was able to involve and stimulate its community through a series of projects – organised within a true District of Creativity in Pavilion 24: from the seven fashion shows of Lineapelle Designers Edition to the 20 unprecedented installations of Lineapelle Interiors; from the craft workshops of In The Making (organised in collaboration with Giorgio Linea) to the exhibition ‘Words and Taffeta Chapter II: Animalia’, dedicated to Anna Piaggi (curated by MinervaHub).
Appointment for the next edition dedicated to the AW 2026/2027 season, which will take place from 23 to 25 September 2025. The location at Fiera Milano Rho has changed, due to the preparation for the 2026 Winter Olympics in Cortina-Milan: LINEAPELLE 106, in fact, will be staged in halls 1-3, 2-4 and 5-7.
They are MX Pro Magister and ST Pro Amici, two lifestyle-inspired models able to ensure comfort, flexibility and extreme grip on every surface, even the wettest and oiliest ones, protecting the foot from contact with liquids at different temperatures and blunt objects. Both available in High and Low versions, the ST Pro Amici does not have an aluminium toe cap, for greater lightness.
Japan’s ASAHI SATO is the winner of the 11th edition of ‘Craft the Leather’, the international competition that celebrates vegetable-tanned leather, involving young talents from the world’s most prestigious fashion and design schools: this is the decision decreed thanks to the evaluations expressed by the Technical Jury, the offline votes of the visitors present at Lineapelle and those collected on the Consortium’s social channels. The expert jury evaluated the collections taking into account multiple factors – from technical workmanship to product design and its relevance to eco-design principles.
In his capsule collection of shoes entitled ‘Roots and Modernity’, Sato wanted to emphasise the link between raw material and craftsmanship: with the intention of enhancing the unique characteristics of vegetable-tanned leather, the soles were modelled by working the leather wet, creating organic undulations that give the shoe a distinctive identity. The selection of uppers and lasts was guided by the intention to balance the natural essence of the material with a refined craftsmanship approach and a contemporary aesthetic sensibility.
‘This collection came from my experience in the Craft the Leather workshop held in San Miniato. Witnessing the traditional process of tanning with vegetable extracts allowed me to rediscover the authentic charm of the material. This experience led to the development of new details, such as cutting lines that are intended to recall the texture of wood,’ said Asahi Sato.
The Design a Bag-DAB 2025 Competition found its conclusion during APLF, the Hong Kong leather fair that hosted the final award ceremony on March 13. The winner of the ‘overall’ award was the Argentine Eliane Yahari with her original Yvoty Bag that earned the opportunity to attend a 4-week design course at the Arsutoria School in Milan. The other two finalists were: Uthra S Ganesh from India with the Kolangal project and Jiang Si Mi from China with her DoDo Bag.
Eliane’s project impressed the jury for the originality of her creation that is inspired by the artisan culture of Paraguay where the young designer grew up and boasts her roots. Her bag is made with scraps of recycled leather assembled together with a particular artisanal technique that come to life like buds in bloom. The Kolangal project by the Indian Uthra S Ganesh also celebrates craftsmanship and is inspired by an ancient Indian tradition of floor decoration. The DoDo Bag by the Chinese Jiang Si Mi stands out for its peculiar bean shape.
Winner Eliane Yahari with Stefano Migliavacca, member of the jury and responsible of Arsutoria School in MilanThe Ivoty Bag project that won the overall DAB 2025 awardThe Ivoty BagThe Kolangal Project by Uthra S GaneshJiang Si Mi’s DoDo Bag Project
Let’s say right away that it was a good fair, in spite of the uncertainties dominating the geopolitical picture. The world’s leather industry met in Hong Kong for APLF 2025 (March 12-14), which has reconfirmed itself as Asia’s leading exhibition platform for the leather sector. This year there were 624 exhibitors from 40 countries and regions. Slightly less participation than in the past (it was 740 last year) but the fact remains that Hong Kong’s is the only fair where you can meet the world’s most important tanneries, mostly grouped in national collectives. As many as 24 national pavilions from Australia, Brazil, China (3), France (2), Germany, India (2), Italy (2), Japan, Mexico, Mongolia, Pakistan (2), Portugal, South Africa, Spain, Thailand, Turkey, USA and Uzbekistan.
The Leather section, the most significant at the fair, showcases leathers of all kinds, chemicals and tanning machinery. Rounding out the offerings of the fair as a whole, as always, are the Materials+ (featuring component companies, mostly from Asia) and Fashion Access (mainly leather goods and leather apparel companies) sections.
The organizers’ final press release speaks of more than 11,000 visitors from 68 countries and regions, representing various sectors, including tanning, fashion, footwear, leather goods and materials.
Among them, more than 100 buyers were selected and invited directly by the organizers. More than 800 business meetings were organized in the business matching area, offering high-level networking opportunities.
Italy at APLF 2025 was, as always, represented by two national pavilions: the one organized by UNIC-Italian Tanneries with 27 booths representing some 40 companies, and the one by ASSOMAC with 40 participants representing the tannery machinery and chemical auxiliary suppliers sector. Considering also the exhibitors present independently, as many as 110 Italian companies were present. The balance of their participation is marked by satisfaction, albeit with all due caution. Generally speaking, Italian tanners reported good interest from the visitors who attended, which gave signs of market awakening and confirmed the sensations recorded fifteen days earlier in Milan during Lineapelle.
Similarly, machine manufacturers and suppliers of chemical auxiliaries also noted a higher quality turnout than the previous year, which in some cases led to interesting business negotiations. Agostino Apolito, ASSOMAC general manager who accompanied the Italian companies, was also satisfied. “This year’s was our largest collective in recent years, and at the end of the fair we can say that the results proved us right. It was a good fair that confirmed the strategic role of this international hub capable of attracting visitors from all over Southeast Asia and representing the eastern counterbalance to our Simac Tanning Tech.”
More mixed is the picture of Italian chemical auxiliary suppliers, who, more than on other occasions, complain about the price issue. Local competition has greatly increased and the price battle sometimes forces orders to be dropped. The decline in Chinese tanning production is being felt and the market seems smaller and smaller.
The Hong Kong fair was, as always, an opportunity to take the pulse of the Chinese market. According to Leather International’s Global Leather Market Report for 2024-2030, China remains the largest consumer of leather in Asia. Footwear will be the primary driver of growth, a sector fueled by an expanding middle class and increased domestic demand for sports and premium shoes. Between now and 2030, the footwear market will grow by 8 percent annually. A similar trend is expected for Vietnam, Thailand and Indonesia. Interesting suggestions that clash with a fact of reality: in the first half of 2024, light leather production decreased by 15 percent (official CLIA data). Numbers that confirm a decline in demand for leather, despite the price of raw hides and skins at historic lows, in favor of alternative materials. The only exception was the production of automotive leather, which grew by 5 percent. Also complicating the picture is the impact that new U.S. tariffs will have on global trade.
Returning to the fair, the three-day event in Hong Kong was also animated by 25 events including seminars, conferences and various presentations that covered specific technical aspects or topics of general interest. Among the most interesting was the Global Footwear Executive Summit (GFES) organized in collaboration with UITIC and SATRA, which focused on the challenges and opportunities that the footwear industry must face, with sustainability and compliance as key topics of the forum. Equally important were the meetings of Leather Naturally and Is It Leather?, organizations committed to promoting leather as a natural and sustainable material that urged the sector to actively join the common effort to give more strength to the information campaigns underway.
Also worthy of note is the LED Project, an APLF initiative now in its third edition, this year sponsored by the Italian Vegetable Tanned Leather Consortium, which invited six designers from China, Vietnam, Japan and Pakistan to collaborate and design the APLF collection with Tuscan vegetable tanned leather and to exhibit their creations at the fair.
APLF also saw the closing ceremony of the Design-A-Bag Online Competition 2025 as usual, organized with our Arsutoria School. The overall award was won by Eliane Yahari from Argentina with her original Yvoty Bag. The other two finalists were Uthra S Ganesh from India with the project Kolangal and Jiang Si Mi from China with her DoDo Bag.
The next appointment with the Hong Kong fair has already been scheduled: APLF 2026 will be held from March 12th to 14th. Among the new features for next year, it has been leaked that there will be a reorganization of the spaces with the return of the Leather section to Level 1 of the Convention Center and the transfer of the Materials+ and Fashion Access sections to the second level, as it was in 2019.
A moment from the APLF press conference: in the center the tireless new Director of APLF Janice Lee, between Christophe Dehard (president of Alliance France Cuir) and Michael Duck (executive Vice President of Informa Markets)A view of the Italian collective coordinated by ASSOMAC – ITA AgencyA glimpse of the Italian tanneries pavilionA moment of the award ceremony of the Design a Bag Competition 2025
