Founded by Matteo Di Paola and Marco Primiceri, Servati was established in the heart of the Casarano footwear district with the aim of revolutionising the sector through a business model based on the circular economy. Their sneakers, made using 3D printing technology, are composed of only two materials: rubber and polyester; and can be completely disassembled and recycled at the end of their life.
A patent filed in 2022 protects the innovative interlocking system between the sole and upper, which eliminates the use of glues, irreversible seams or chemical solvents. This approach makes it easy to recycle end-of-life materials to produce new footwear or transform them into other fashion accessories, reducing waste.
Following the success of online sales, Servati is now looking to a new phase of growth by targeting entry into wholesale channels, with the aim of bringing its sustainable trainers to physical stores in Italy and abroad.

For the second time, Nuosmiq is participating as an emerging brand at MICAM Milano. Designer and founder Heesoun Qim has developed a methodology that combines artisan design and experimentation with unconventional materials.
Nuosmiq is based on storytelling. Each collection is born from a narrative theme that intertwines with unexpected materials and innovative processes.
At the stand dedicated to Emerging Designers, Nuosmiq presented the ‘City’ collection, in which the heels were made from recycled plastic: a process of fusion and moulding that required in-depth research to achieve the right density and stability.

Instead, explains Heesoun Qim, “with the SS26 Saviour of Society collection, we chose to work with fire-resistant firefighter suits, transforming them into new yarn from which we make uppers and other details. Aramid, a heat-resistant technical material, acquires a double value once regenerated: on the one hand, it guarantees high performance, and on the other, it becomes a symbol of courage and protection.”
Nuosmiq is targeting the European market by focusing on distribution through boutiques and concept stores. At the same time, it is pursuing a strong social and environmental commitment. “We create products by recycling resources that would otherwise be thrown away and support campaigns for a sustainable planet, such as the National Institute of Ecology’s Walk and Earth Land,” says Qim. The brand is also an official member of 1% for the Planet, through which it donates 1% of its annual turnover to international environmental and non-profit organisations.
“Our goal,” concludes Qim, “is to build a circular and sustainable design project, step by step.”

Founded in 1718, FLORIS VAN BOMMEL combines 300 years of craftsmanship with modern management under the guidance of the ninth generation of the family, which has led the company to achieve a stable annual turnover of around €60 million. For next summer’s SS26 collection, the brand offers elegant and timeless basic models that combine sporty silhouettes, innovative material combinations and custom-developed soles. Exclusive Italian leather, customised prints and colour accents give the various models their unmistakable FLORIS VAN BOMMEL character. Divided into SPORT, CASUAL and DRESSED segments, both the men’s and women’s lines achieve a confident balance between casual comfort and urban modernity, with a summery vibe that transitions effortlessly from sandy beaches to city streets and elegant dinners.

The SPORT line is dynamic, comfort-oriented and innovative in terms of materials, with modern running shoes, retro trainers and urban interpretations of activewear looks, while the CASUAL line is synonymous with relaxed elegance, characterised by maritime influences, the use of high-quality suede leathers and understated silhouettes for loafers, boots and contemporary hybrids. Finally, the DRESSED line is the stylistic heart of the collection, with progressive derbies, modern classics and characterful prints, all made in Europe.

At the heart of the line is the innovative HEX fabric, inspired by the molecular structure of carbon: its distinctive hexagonal weave reflects a technological and elegant character. The material is made from 91% recycled polyester and 8% polyurethane, with leather finishes, confirming Piquadro’s focus on sustainable innovation. Its main features include water repellency, lightness, resistance and cutting-edge aesthetics, enhanced by details such as the customisable Monogram Plate, satin-finish metal elements and minimalist profiles.

Among Piquadro’s new developments, which are not only related to its collections, is the flagship store in Corso Matteotti 8 in Milan, which opened during Monza GP week with an experiential event: in the window, the original nosecone of the Visa Cash App RB single-seater caught the attention of passers-by, while on the -1 floor, a professional Formula 1 simulator allowed visitors to experience the thrill of a real race first-hand.

The Business model takes the distinctive essence of the East+West backpack and reinvents it in a sober and refined key. Clean lines and harmonious proportions meet robust and sophisticated materials, giving life to a refined aesthetic, designed for professional environments. Every detail accompanies those who face the city and work with a determined and ambitious spirit. The interior spaces make organisation a natural gesture: laptops, documents and accessories find their dedicated place, always ready for use without the need to rummage through pockets. Every item is in the right place, allowing you to face the day with agility, order and practicality. What’s more, those who wish to make their mark can personalise their rucksack with their company logo or initials.

‘Memories – Pages from a nomadic diary’ is the new collection by the Milanese designer, seventh generation of the family and high-end leather goods maison Leu Locati: not treasures to collect, but travel impressions that are recorded like pages in an imaginary diary.

The journey begins with Spinosa, where sand suede and an unusual cactus green suede lend themselves to recounting the strength of arid lands. The journey continues among natural straws that are enlivened by TuttiFrutti embroidery: an explosion of sunny colours, with exotic fruits embroidered and embellished with bright beads.

The atmosphere then becomes more intense with turcasso suede and dark brown woven straw, which outline a tribal and textured chapter. Here, the iconic Queen Mid clutch bag is embellished with woven lurex masks and wooden beads, giving life to Zamani, an evocation of ancestral rituals and symbols.

The story softens with shades of pink: peach blossoms and small embroidered sparrows rest on suede and linen, giving life to Sakura, a delicate motif that evokes oriental atmospheres.

Another important page in the diary is dedicated to Monkey embroidery, palm trees animated by the presence of a little monkey and enriched by the three-dimensional detail of coconuts made of wood or pearls.

The maison’s icons open up to new experiments: Queen Crochet welcomes three-dimensional embroidery such as English Flowers or the marine Abyssum, where shells and seahorses emerge in relief. An absolute novelty is Raviolo Crochet, completely hand-woven and available in all the colours of the season.

Completing the collection is a capsule collection of gold-plated brass necklaces that reinterpret the maison’s jewellery chains, transforming them into chokers with a sculptural character.